8/2/2023 0 Comments Best movie endings 2019He then watches message after message sent by his family, seeing his son’s entire adolescence flash before his eyes. After a failed space mission near a black hole, Cooper returns to his craft to learn that 23 years have passed on Earth in his past few hours. In a pivotal twist, the hero, Cooper (Matthew McConaughey), is punished by the power of relativity. So it makes sense that the film’s greatest villain is time, marching forward and claiming our lives, no matter what we do. Interstellar, Nolan’s purest and best work, is about the trials that await humanity in the future. His breakout, Memento, had twin plots, one running backwards and the other forward, before meeting in the middle his 2010 smash hit, Inception, followed a dream heist in which time dilates more the deeper you get into someone’s mind. The Wolf of Wall Street just might be the most trenchant film made about America’s past decade.Ĭhristopher Nolan has long been obsessed with the ways in which film can stretch, squeeze, and reorder time. Standing in front of his minions, Jordan channels his defiance into a scream of pride, one that rallies his troops around him in an orgy of self-delusion. That’s the mind-set that convinces Jordan that even though he’s a criminal who pleaded guilty, he’s not going to quit. Jordan is the ultimate avatar of the pitiless power of wealth-because he has acres of money, he can behave like a god, and all of life’s punishments seem to slide off him as a result. He’s never shown much of a skill for anything except supreme self-confidence, which translates into the ability to sell worthless stocks to dopes over the phone. When Jordan Belfort (Leonardo DiCaprio) takes the microphone in front of his stockbroker employees late in The Wolf of Wall Street, he has already admitted to financial fraud and arranged a deal with the Securities and Exchange Commission. “I’m not leaving,” The Wolf of Wall Street (2013) ![]() That’s his creative process-hoping that perhaps, one day, things will change. Llewyn returns to the Village and keeps performing, even as his situation stays the same. “I don’t see a lot of money here,” Grossman replies, with sad but blunt finality. Murray Abraham) by pouring his soul into an impassioned solo performance. In Inside Llewyn Davis’s best and most crushing scene, Llewyn auditions for the imperious manager Bud Grossman (F. Until this decade, the directors had rarely made art about making art of late, as Hollywood’s output has further homogenized, it’s seemingly become all they care about. The film has the directors’ trademark dark humor and their skill with making the most circular conversations sound like deep philosophical discourse. In between, he goes on a cross-country odyssey in search of a cat, money, and any sign of life for his career. The Coen brothers’ movie finishes where it starts, with the struggling folk singer Llewyn Davis (Oscar Isaac) getting beaten up in an alley. Inside Llewyn Davis is a film that views creativity as a long, repetitive process defined by failure that often yields nothing of note. Sorkin understands the hilarious cruelty of Zuckerberg’s rejection, while Fincher makes it feel like a brewing apocalypse. The entire sequence is a perfect origin story for a decade fueled by Facebook, social anxiety, and, yes, seething male ego. ![]() ![]() “It’ll be because you’re an asshole.” The dialogue crackles, but what comes next is as important: Mark jogging through the dark campus back to his dorm as Trent Reznor and Atticus Ross’s foreboding score builds in the background. “You’re going to go through life thinking girls don’t like you because you’re a nerd,” Erica says. ![]() Mark’s preening defensiveness and Erica’s dismissiveness lead to careless insults from him-so she dumps him. The scene is a typically tongue-twisty back-and-forth between the self-important Harvard student (played by Jesse Eisenberg) and his weary girlfriend, Erica (Rooney Mara), about his obsession with the university’s elite final clubs. Aaron Sorkin’s script is the star of the first few minutes of David Fincher’s Mark Zuckerberg biopic.
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